One chapter of my life ended and another one hasn’t yet begun and wheneverI find myself in such transitional periods I tend to journal A LOT. In lately I’ve been scanning some of the doodles and words from my journals and coloring them digitally so I thought I’d share some of those as well as my messy, abstract art journal.
Deep in meditation, I went on a pilgrimage to the center of my heart and arrived to the garden of million roses in bloom. As the flowers opened their petals in unison I saw Her, a clear, vivid vision of a fair and graceful Goddess appearing in the middle of the scene.
My mind wondered: “Could this be real?” but Her beauty and loving presence were compelling enough to erase any doubt even from minds of the most devout disciples of reason. She left me no choice but to trust my own vision.
Through the sea of soft petals She walked towards me and sensing my worries planted a single red rose into my heart. “Are you sure?”, I asked, still riddled with doubt and insecurity. “Are you certain my heart can handle this deep red passion? Am I not more of a pale pink or quiet white kind of a person? Well meaning yet emotionally restrained, maybe even a bit cold?”
Knowing me me better than I knew myself, with Her mere presence She assured me the color of my love was indeed the reddest of the reds, as red as fire and blood and garnet and lust. My confidence started to grow and my heart expanded with gratitude, taking in Her beautiful gifts.
“You can go in peace now”, She said and greeted me with a small kiss. The vision of Her and Her glorious rose garden faded away and I returned from my journey calm, fully knowing that my heart can grow and sustain the deepest, warmest passion my mind can imagine and my body can take. I am healing and moving forward one blessing, one magnificent vision at the time.
Deer must be one of my favorite animals. You just got to love those brown eyed, big eared voracious eaters, forest dwellers that often find their way into urbanized areas as well. I am always happy to spot them on the edges of my town crossing the road that divides fields and woods. There is something especially magical about seeing deer on a warm, humid summer morning, as they move swiftly through mist like blue shadows across open land and through wheat fields only to disappear into the safety of the forest just seconds before day breaks.
In July 2017 I experienced one very moving deer encounter, the one I will always cherish. On a sultry evening during a particularly unpleasant heat wave I went outside hoping to take pictures of a sunset. But heavy, humid weather diffused the sunlight muddying the colors, making the whole landscape look boring. Instead of taking pictures I just kept on strolling around. As it got darker my attention was drawn to the Moon and wanting to get a nice picture of it I found myself on a walking trail next to a creek, a lovely place for people to walk their dogs, hang out with friends or play with their kids. Gazing at the Moon I was caught by surprise as two deer rushed by next to me so close they almost knocked me over. They ran over the trail, jumped down form at least 5 meter high hill straight into the creek, continued racing through water to finally slip into the dark tunnel of trees under the bridge, a passage into local forest. I was fascinated by their maneuvers all executed at the same speed of motion.
The event shook me up, not only because deer almost knocked me over but because nobody else seemed to react to them. I stood still and kept staring into the dark tunnel under the bridge. Later that night I had a dream of coming closer to this very spot, this dark entry leading into forest, it felt like a portal into the unknown, into something potentially dangerous, dark or scary. In my dream I was afraid of what lived on the other side of this entrance yet I walked in anyway encouraged by confidence displayed by deer when rushing into darkness. As if their bold and assured move sparked something bold and daring in me as well even if only in a dream. As my dream unfolded and I walked through the dark forest of my mind and soul I realized my fear of the unknown was unfounded and I was more than capable of facing (and embracing) whatever I believed was dark in me. A dream became a vehicle of healing a waking fear.
After I woke up I thought more about my encounter with deer and how it was almost like an initiation of sorts, an event that moved me to explore darker parts of me through dream state. Perhaps, in some sense, they showed me the door into the dark forest of my heart and invited me to explore it fearlessly. It made me appreciate those beautiful, graceful animals even more and also opened me to different ways nature speaks to us in subtle yet powerful language blurring the boundaries between reality and dreams, our environment, our outer and inner worlds. I don’t paint deer very often, but I do incorporate lessons they taught me into my creative process, a lessons of boldly stepping into the what appears dark and scary territory and lessons of using dreams as healing tool as well a source of inspiration. Magic is truly all around us.
Our bodies are so much more than just organic machines in constant need of maintenance and reparation, vessels made of flesh and blood and fat as they are often treated by conventional western medicine. Personally I always acknowledged my body to be much more than just a mass of cells, I felt it was a sophisticated instrument, a holder of ancient wisdom and truly a temple of the soul so I’ve always tried to treat it as such, taking care of it as best I could yet I still couldn’t imagine the level of connection between our emotions, experiences and physical body. But, my body, a kind and wise teacher that it is taught me a valuable lesson last year.
After a long time of feeling extremely tired, experiencing both intense PMS and irregular bleeding in between my periods my doctor diagnosed me with a tiny, begin tumor in my uterus. Even though it was not life threatening she still suggested (as any conventional doctor would) I should get a surgery and have it removed. After getting a second opinion I was mentioned there is a slight possibility for my uterus to self heal so I could to avoid surgery and of course I’ve embraced that option looking for any alternative healing methods. Taking maca supplements removed all the PMS symptoms and chronic fatigue but I would still bleed irregularly and it made me feel hopeless and desperate. I felt as if my body was somehow betraying me, hurting me, causing me unjust pain yet it was just trying to teach me a lesson.
So, one day, I got down on my yoga mat and asked my body to help me understand the real cause of my health issues, to help me heal. “Move as you wish, move me”, I said to my body and started to flow, allowing spontaneous movement. After about 45 minutes I became aware I was mostly getting into heart opening poses and then came to revelation of the real cause of my health problems: a heartbreak so deep, so repressed I couldn’t clear it out with tears so it manifested through bleeding. I became aware of a direct connection between my heart and uterus and got a lot of insight into how my body works in general.
For that moment on, a real healing process begun, a process of letting repressed emotions to surface, of allowing myself to feel the pain, of gaining deeper understanding of what caused the pain and crying oceans of tears. It was a long process that culminated last October (for my astrology peeps: when Venus was Rx in Scorpio, not a coincidence, right?) but as all of the pain cleared out so did my irregular bleeding stopped and my hormonal, reproductive health as stabilized and eventually got back to normal.
I am still in awe of interconnection of our emotions and physical body and it makes me honor my physical vessel so much more than before as well as feel profound gratitude for all the wisdom it offers me daily.
One of my most favorite things to do when I am trying to bounce back from a rough period is to go for long walks (at least 45-60 minute walks).
Going for a walk is amazing because not only you get light exercise and spent some time outside you can also turn it into a ritual.
For example, you can set an intention before going out. If you have a problem you’re not sure how to solve, of you are experiencing a creative block, before setting out to walk you can say to yourself: “I am struggling with this and this but am I going to walk it out so when I’m back home I will have a solution for my issue”. When you return home, take a notebook and write down a list of potential solutions for your problem, or make a few sketches or journal a bit and see what happens, maybe you make a little breakthrough or indeed come up with a suitable solution to your problem.
Another thing to do before going out for a walk is to ask for a sign. For example, maybe you really want to start a new project, like launch a new Etsy shop for your creations but you are not sure if Etsy would be the right platform for selling your work. In that case you can, before going out for a walk ask your higher self, spirit guides, angels (or whomever you feel drawn to) to send you a specific sign during your walk. For example you might ask “Please show me a white cat (or a person wearing bright pink coat, or an encouraging graffiti or whatever else that resonates with your question) during my walk as a conformation and a yes sign that I should open up an Etsy store” and then open your eyes and see what happens during your walk.
If you like taking pictures, you can go for a photo walk. I love going for photo walks especially when I’m feeling down. Seeing the world through a camera lens shifts my attention away from my bad mood and helps me rediscover the beauty that’s all around us even in seemingly unattractive things.
If you are feeling very angry, you can put your headphones on, play some loud music and walk really fast until you feel lighter or just get really physically tired, hungry or thirsty :) Burn away your anger!
Another thing I am fond of doing when I need to find an alternative or original solution to a problem is to explore new paths, quite literally. I’ll intentionally go for a walk to part of my town I’ve never visited before, wander around unfamiliar neighborhoods and yes, literally take the road I’ve never taken before. By doing that I imagine new paths in my brain opening and enabling me to make new, fresh decisions. I live in a very safe area so I’m not afraid to wander around but if you live in a place with a high crime rate or something, I obviously wouldn’t advise that.
There was phase in my life when I frequently went out for an after dark, night time walk. Darkness symbolized dark, unilluminated parts of myself (a shadow if you will) and by intentionally going for long walks after dark I would symbolically express my willingness to face my own darkness, hidden parts of my self, my inner demons. Plus, I am a bit of a nocturnal animal so walking around at night is really enjoyable for me. A win-win situation on all fronts.
In Summer of 2013. I suffered from a very intense depressive episode. I didn’t know it at the time but my depression was caused solely by taking the wrong contraception pills. Hormonal imbalance totally messed me up, leaving me completely hopeless. To combat my hopelessness I would get up very early (at 3 or 4 in the morning) and go a long walk through the local woods, fields, across the river to come to a very nice spot where I could witness a beautiful sunrise over the mountain. For some reason seeing the sunrise was the only thing that gave me hope and those early morning walks pulled me through some very intense period. After I stopped taking contraceptive pills, after only a few days I was born again, back to my usual happy self and that episode really opened my eyes to damage hormonal pills can do to you (but that’s another story).
There are so many different ideas when can explore while exploring our surroundings and with little imagination we can turn our daily walks into adventures or even pilgrimages of sorts enriching our inner worlds, igniting our inspiration while nurturing our bodies with light exercise. For me, going for walks and treating them as a personal ritual has helped me greatly, either in overcoming creative blocks or as a part of my healing process or just a way of connecting to myself and my intuition on a deeper, more meaningful level and that’s something I would kindly recommend to everyone.
This is not a New Year’s resolution but a sincere desire. This year I wish to experience life more deeply. To get in touch with nature while simultaneously connecting to the true nature of my being. To feel it all, to find a new appreciation for simple things in life. To grow deeper understanding of the world around me and expand relationship with it. To witness white and brown landscapes of January with silent admiration for nature’s winter sleep. To let February be heavy, grey and damp without complaining about the weather. To rejoice in the return of Spring, rebirth of life. To count the rainbows of April showers and watch fields burst in explosion of May poppies. I want to learn to appreciate the beauty of Summer, bright blue, cloudless skies of July and liquid gold of August light. I want to reap the sweetest honey of September and feast on fruits of October, to let November intensify my thirst for knowledge, self-knowledge and creative passions as another year draws closer to end in December. From now on, I wish to be reinvigorated in copper light of breaking dawn, to learn to appreciate the scorching heat of high noon, to sink deeper into the seductive melancholy of dusk blues. This year, every day I want it all.
One “grounding” exercise I like to do when I’m stressed out is to go out somewhere in nature (like local woods or park) to find a nice spot where I can be alone. After finding a pleasant spot I stand up straight with both feet planet firmly on the ground (getting into mountain pose if you do yoga) and allowing my limbs, especially legs to get very, very heavy like they were made of lead. Then I close my eyes and upon taking few deep breaths I start counting from 10-0 (still breathing deeply, inhale:10, exhale:10, inhale:9, exhale:9 etc) feeling all the heaviness from my body pouring down through my legs and feet into the ground, releasing all the stress. This exercise seems more efficient when the weather is warm and you can be barefoot but I noticed it works well even with shoes on. If you try doing this while being super stressed out (or having your root chakra blocked) closing your eyes to breathe deeply while being alone in the woods might seem scary (and with first few breaths it might even seem like you’re about to have an anxiety attack) but if you keep on breathing you can feel your energy shifting, becoming more stable and grounded and all the stress and overwhelm being replace with inner peace.
My favorite exercise to do for a little boots in energy is to go out in nature and find a place where I can be by myself. But instead of going into woods or a park I look for open spaces where I can see the sky so I often wander into an open field or a meadow. When I find a favorable spot I stand up straight and take a few deep breathes allowing my energy field, my aura to expand and keep on expanding until I can feel it stretches from one side of the horizon to another. This sensation can be described as growing in size, becoming so big you can swallow the sky. This energetic expansion usually feels amazing, almost ecstatic and like some sort of chiropractic for the soul. I usually stay in this joyous, expansive state for a few minutes and then pull back into my physical vessel refreshed and realigned. Also, I prefer doing this exercise either during sunrise or sunset stretching into the beautiful colors of the sky and letting them “mix into” my energy field, letting them “paint” my soul. However, I’ve learned that this kind of expansion exercise works well only if your lower chakras are working properly so you can stay grounded during the exercise, the goal is just to stretch out your energy field not to catapult yourself into the space without being able to get back into your physical body smoothly :)
Looking back at the art I made during last month and a half it feels like I’ve taken a (much needed) vacation somewhere in outer space. I’ve been totally into drawing planets and stars and various imaginary cosmic scenes and even though that’s been an incredibly satisfying experience I think I’ll be coming back to Earth next month. I’m still not sure what kind of art I’ll be making but I’m sure November will be very interesting. For now here are some planets and other celestial bodies.
Isn’t sky the most beautiful abstract painting ever? Whenever I can I like to go for a walk after work to look at the sunset and admire the beauty of it. As an abstract art lover I find it incredibly inspiring and kinda wish I could soak in all the colors and take them home with me. But instead I do the next best thing, I take pictures of the sky (often intentionally out of focus: to abstract the scene even more, to try and capture dominant colors in the scene etc) and then use to images as an inspiration for my paintings.
In May, what now seems not months but centuries ago I set out to finish one of my ongoing series At the Edge of a Galaxy and figured it needs only one big final painting so it can be done. As I was cheerfully thinking about making that one final painting a thought rushed through my mind: “It’s alright you’ll finish it in November when things calm down.” It was one of those thought you don’t know where it comes from and you certainly don’t want to have it especially when you’re ready to finish something RIGHT NOW and not in 6 months. And of course I had no idea what would happen and what would need to calm down so I decided to just ignore that thought. Oh, well (insert the sound of evil movie laughter). I won’t share what has been happening in my life since May but it seems like that indeed I won’t be able to focus on finishing my series until November (if even then). But even though life has been crazy I still did manage to make some art that I’m pleased with so I’ll just share the images.
The image on the top of this post was originally called The sun and the moon coming together because of the obvious reasons but I later renamed it to Integration. It was made in mid July during one of rare positive and optimistic periods this Summer when I felt a sense of coming together and integration of some part of my psyche and for maybe first time in my life I felt like what I need and want are one of the same. I felt very hopeful at the moment of making that image (perhaps naively so) and could clearly imagine and feel a solution to some issues that have been pressing for a long time.
I made this one for lunar eclipse in late July. Originally I wanted to make something more impressive but gave up and ended up with this image of tomato like full Moon. I was really looking forward to viewing the eclipse and wanted to see the blood Moon but that night was very, very cloudy in Zagreb area where I live. However I woke up just after dawn when the weather cleared up to see very pretty, pale pink Moon just about to set.
The painting above was made in response to a song request on my tumblr. I’ve been making paintings inspired by music since January 2017 and so far I made 126 of them (!!!) This was a response to the most requested song so far: Let It Happen by Tame Impala.
This one is one of the most recent paintings and it was inspired by an image I saw on tumblr:
Originally I intended to paint Saturn floating in an ocean but then I thought I rather have it melt away :)
And to finish of this post here is an image of a small rainbow Moon because most of my art this past few months has been inspired by either music or astrology (not intentionally so).
What turns you on creatively? What do you need to get excited to create, to feel inspired to make art?
Personally, I need to dream big, think big, plan big. I am really turned on by challenging myself to work on big, demanding projects that take a long time to complete. I am drawn to the intensity of working on all-absorbing, challenging goals that require total commitment and a lot of focus, the projects you have to put a lot of effort into, projects that test your patience and self-confidence but offer a promise of personal growth, catharsis and transformation. Projects that, dare I say, feel really epic and monumental. I like to surrender myself to my work, pushing it as far as I can, testing my own limits and then reaping sweet rewards of growth and self-discovery :) Creating a series of let's say 100 paintings wasn't enough for me, I had to go and make over a 1000.
The other thing that turns me on as an artist is an idea that creative process isn't just a creative process but a chance to explore your inner world, confront your own issues, purge yourself emotionally, I am interested in art as a tool for healing, art as therapy I guess. One of the reasons I love making abstract art is that I can express whatever I want using this universal language of colors and shapes and even deal with some rather deep, "dark" issues yet still keep them private. I like this idea of revealing my own inner world to myself yet keeping it hidden to anyone else simultaneously.
There are many other things that also turn me on creatively, like using drawing ink in unexpected ways, working with colors, color theory etc but taking on big ideas and projects to test myself and grow as a person is really my main deal. The work I'm doing is literally very simple, I stain fancy paper with colored ink then doodle on it using nice pens but when I do it from this view point of it ends up being very rewarding, cathartic, healing and not just mere paper decorating :)
Technically, for me, making art is a roughly a two step process. First step is making of an under-painting: staining high quality watercolor paper with with ink and water. This is purely expressive, no-brainier step that I like to envision as a metaphor of the flow of pure emotion, of raw emotional energy. I let ink drip on wet paper, either directly from a bottle or from a tip of a large brush and let it freely mix with water allowing the two mediums to combine and merge as they please creating interesting effects. This mixing of ink and water is only loosely guided by my hand and brush gestures (the nature of these gestures is usually dictated by my emotional state) but basically I allow ink and water to and move and dance on their own, so to speak. I like to work in layers, as ink and water have done their dance I let the stain dry then repeat the process building an interesting texture which becomes a foundation for my artwork.
Step two is drawing (using either brush or gel ink pens) intricate patterns on top of my texture. I see this step as expression of mental energy since I see my patterns, dots and clusters of tiny circles, lines etc as thought forms, thought patterns. Unlike the first step that I just sort of, allow to happen, this is a very deliberate, conscious process of picking and choosing which parts of the underlying texture to accentuate and embellish and which simple shapes to use, what kind of patterns to create. The ultimate goal is to make a harmonious blend of the two, of the expressive, raw, free flowing emotional energy and conscious, deliberate, somewhat calculated thought process. This process of harmonizing the two can sometimes feel like a challenging balancing act but once it's achieved I consider the artwork finished. Of course, another important goal of all this harmonizing and balancing is to create something beautiful, beautiful art is always the goal.
When I was very little, maybe four or five years of age I strongly believed that when I close my eyes and gaze into the dark space in front of me I can see the universe. Often I could also see many, many tiny golden specks in that dark space which resembled twinkling stars and that helped solidify my belief that I was looking at the universe. Not only I believed I could see the universe every time I close my eyes I was sure I became the universe, I could feel it, here I am just a kid with eyes wide open observing the world around me but if I close my eyes and look towards the infinite I become the universe itself, it was just so easy. It was almost like a game I played, becoming the universe whenever I felt like it.
I'm not sure how I got to think about infinity and universe at such young age but it was probably due to growing up around my architect grandpa who was really into higher math, geometry and sacred geometry and very often gave me long talks about his favorite subjects. He especially enjoyed talking about human (in)ability to understand the infinite and he loved the idea of designing a time machine (according to him, it would be in a shape of a hypercube). As a kid I had no clue what he was talking about but I liked listening to him and watching him sketch. As an art student I did study sacred geometry but sadly I was never good at math so I could probably not understand what my grandfather was talking about even today, as an adult. But I am still fond of my childhood game of closing my eyes and becoming the universe, except these days I call it meditation :)
I started regularly meditation about 12 years ago when someone told me that doing breathing exercises and meditation can make one quit smoking. Since I wanted to quit that seemed like an excellent idea so I went to a local bookstore and got some book by an old Japanese author describing various mediation techniques. They all sounded rather complicated but I can recall the author saying I should "breathe from the stomach and not use nose as a pump" so I just went with that. My meditation attempts turned out to be a very effective placebo and I manged to quit smoking no problem never to smoke anything since then.
These days I just like to sit on my couch cross legged, close my eyes, tune in and chill for as long as I can, no special techniques, no rules, just relaxation. I'm not sure I'd even call that practice a mediation but it works for me. Sometimes, not very often, but from time to time, when I'm super chilled I can see an image in my mind, an illustration or a painting (it's not my intention to imagine or "see" anything it just happens spontaneously). Usually those mental images are very complex and I wouldn't know how to paint them even if I tried but sometimes they are more simple and memorable like the line drawings (see above and look below) I've been making during last few weeks. The images of colorful, vibrating lines appeared way more complex and colorful in my mind but it was still super fun to try and draw them anyway. It was so pleasing to make them at one point it felt like I could just keep drawing colorful wavy lines for the rest of my life, infinitely... until at one moment I felt full and satiated and done with line art :) But still, it was a wonderful experience that resulted in much joy and few nice pictures.
I thought I was done with my art project but it turns out the project wasn't done with me.
As I mentioned many times before I started a personal art project Ink Flower Garden in January 2014. with an intention of creating 1000 ink drawings and paintings, finding my own style as an artist and just learning about myself as a person in general. The project turned out to be a very intense journey that officially ended in December 2017. It was a very rewarding experience but nevertheless super intense one and that's probably why I can recall the exact moment I scanned the last 1000th image and saved it. It was December 13th, mid-afternoon and as I was saving the image I loudly declared "It is over, I am done."
Except it wasn't over and I wasn't done. I still felt inspired to keep on drawing and painting in same vein and kept on adding new images to my portfolio site, slowly finishing up several ongoing series I've been working on for years. This Spring, when I made a final image for Enter the Underworld series I was filled with so much relief and joy that it felt like the project must have been finished, like, this time for real. But, it wasn't.
There is (at least) one more series that needs to be worked on, At the Edge of a Galaxy. I started (officially) working on it in June 2016. and as the series begun to take shape I believed it was about planets and outer space being a metaphor for my relationships with men. You see, I use my paintings sort of like Rorschach inkblots, I allow myself to paint whatever I want, intuitively and then after a while come back to images wondering what do they mean. It's a bit like self-proscribed art therapy, I guess. But, yes, I thought I had At the Edge of a Galaxy series all figured out when, honestly I forced finished it last Autumn by "importing" a bunch of images from another series and calling it done. Why did I do that? Well, I wanted it to be done, I felt that my "edgy, galactic" series was getting kind of dark and I didn't really want to explore it further, I didn't want to feel uncomfortable or face emotional pain. But, the fear of emotional pain is much worse than experiencing acute emotional pain itself. As soon as you face emotional pain and realize what is causing it, it subsides and dissolves. So, few days ago I cleared out the galactic series by deporting some images back where they belong (Deep Sea/Deep Space series) and now I'm ready to see what's hiding in deep, dark depths of my psyche and paint it out to wrap up At the Edge of a Galaxy series as well as the entire project.
Before I even started the Ink Flower Garden project years ago I knew that I wanted it to function as a whole so I can either make it into an art book or something else that would suit the project and that's why it's important to me to have all the series be properly finished, to feel finished. They don't feel finished yet, but very, very soon they might. Let's hope so :)
Today I’d like to share something different than usual, a writing exercise I've been practicing over past few weeks that helped me get much clearer on what I want to do next in life, not just art wise but in general. Although I’m not a writer it was an incredibly fun exercise and it helped me to figure out what I’d really like to experience in life (as opposed to what I believe I should do next).
Ok, so I have a secret tumblr that I use for reblogging inspiring images, it’s mostly beautiful nature photos, lovely landscapes, pretty looking interiors, flowers, art I enjoy and such. Few weeks ago, as I was scrolling through it I got an idea to start writing little stories based around the images I found the most appealing. I picked out a photo of a lake and stared describing exactly what I was noticing on it: shore, flowers growing on the shore, clam, blue water, sun setting on a horizon etc. Then I imagined I was actually standing by that lake and begun to wonder why am I there by asking myself bunch of questions like: “Am I here on vacation? Who am I with? Or am I traveling alone? Am I here to take photos? Or am I visiting a friend in town nearby?” I continued to build a story around the answer that felt best, that turned me on the most and I kept writing about it in great detail describing how being by that lake made me feel, getting into my plans what to do next... I didn’t write much at first, only three pages and I didn’t care about the quality of my writing either but it was so fun I decided to keep doing the exercise every day.
Every day I’d pick out at least three different photos from my the archives of my secret blog to write short fictional stories about while focusing on writing about what turns me the most, what makes me feel the best, what genuinely interests me and letting my imagination soar without any restrictions. Soon it became one of my favorite things to do and after a few weeks of indulging in it I noticed a pattern appearing. No matter what kind of photograph I was describing, no matter which image I used as spring board for my imagination (a landscape, a houseplant, peach orchard, nicely designed living room...) I would always come up with a similar story involving same activities, same type of people, and me experiencing same emotions. I was bit surprised with what I kept writing about but it lead me to a logical conclusion that if this thing makes me so happy to fantasize about and I keep writing about it then I should just go ahead and make it happen in real life. The more I thought about it, the more sense it made so now I’m taking baby steps to make my fantasies come true:)
But, why did I need to write a bunch of fictional stories to figure out what I really want to do and experience? Probably because every time I’d try to journal about what I’d like to achieve I’d end up writing about stuff I believe I should do next, things that felt rational, next logical steps to take, things other people advised me to try, goals and plans that are in line with where I’m already at (even though none of them felt just right). Writing fiction helped me unlock imagination, override mental blocks, limiting beliefs and and get in touch with my true desires. I’m very grateful to figure out what I actually want to do (as opposed of what I believed I should be doing) and now I’m on my way to make my dream happen ♥
On my work desk I keep a small jar of honey somebody gave me as a birthday present last year. I find it very aesthetically pleasing and inspiring to look at especially during the afternoon hours as the sunlight fills out the room. I look at my little jar of honey, a pot of liquid gold illuminated by sunshine, sparkling and think of all the ways I wish I could capture the essence of this gorgeous yellow in my paintings. I let my imagination take the lead and think of various, random things this pretty rich yellow color reminds of: thick, sticky amber syrup, warmth of a hot August evening, golden hour etc... The process usually puts me into a really good mood and also inspires me to create something.
I've been also very much inspired by beautiful flowers, their colors and shapes and fragrance in lately (hey, it's spring after all!). Last week I got a bouquet of pretty pink roses (my all time favorites) and I just couldn't stop looking at them, enjoying their perfect, delicate coral shade, their soft petals as if I wanted to soak in all of their beauty so I can somehow transfer it to my art. I must have starred at the flowers for a very long time since at one point I caught myself writing down these words into one of my notebooks: "Does a rose flower know it's being watched and does it care about being seen? How would it describe itself, if it could name itself what would that name be?"
I don't know answer to those questions but I do know inspiration can be found in simple, mundane objects and lovely flowers and in last few weeks I keep on noticing more and more everyday things and sights and sounds and scents that make me inspired and energized and eager to create.
I really wanted to make something for vernal equinox this year to greet the spring after seemingly never ending stream of grey, chilly days and I ended up making this bright yellow image. It was partly inspired by music I was listening at the time and partly by craving sunlight. As the time went by I realized this painting would be perfect final image in Enter the Underworld series. I really thought I was done with that series and didn't want to return to it since working on it (especially finishing it) was quite challenging. The series starts with an image of an eclipsed sun (done for spring equinox in 2015.) so maybe ending it with an image of bright sun (also done for spring equinox) is the right way to end it. After exactly 3 years in making filled with a lot of emotions, illness, stress but also joy and ectasy it deserves to be finally finished :)
After I made Spring equinox image I just wanted to keep on painting sun: small sun, happy sun, sweet sun, lemon-yellow round ball sun, vibrant orb sun, joyful sun radiating tiny colorful particles, whatever sun, sun-shine, sun-light...and I started with a simple and fun illustration of a sunrise.
After that I wanted to paint an even bigger sun and pulled out the biggest paper I had at my place at the time (50x70cm) and quickly made this simple image of sun. I didn't do much work on it, after the ink dried I filled the yellow center with hand-draw circles and that was it. I hung the paper on the wall planning to finish it when I feel like it but few weeks have passed since then and my sun image still hangs there intact and I quite like it that way.
When it comes to art I'm a bit of a maximalist, I'm inclined to keep on adding more and more, more layers of ink, more patterns and details to my images until I'm sure I have exhausted every idea and until all of my energy is exhausted by working on the picture. Sometimes my approach works great and sometimes I simply suffocate the paper with too much detail. Generally it's hard for me to stop working on my art :) But this sun, there is something different about it, I love looking at it, I enjoy the fact that it isn't finished, it just isn't done, it's still in the early stage of becoming, it's simple and fresh and feels light and open and full of possibility and just makes me happy hanging there on the wall looking at me :) I'm not sure if I'll ever finish it, it feels so amazing just to let it be as it is.
Speaking of unfinished art I managed to finish the painting above in one frenzied afternoon. I wanted to do something with bunch of old acrylics I had stacked in the back of my closet (since I almost exclusively use ink these days I have had a box of decade old acrylic paints that has been just taking up space). I even decided to record the process and it all started like great fun but in one moment and, I can't tell why, it turned into torture. I wasn't happy how the painting was turning out but couldn't just let it go and stop working on it, my camera would stop working recording only 30 seconds at the time and 2 light bulbs exploded. Oh, well. Eventually I did set the mess of a painting aside and forgotten I even recorded most of the "making of" process. Few weeks went by and I decided to take photos of the messy painting because, why not, not everything turns out great and making bad art is still ok. I even uploaded the video on my youtube, it's just practice anyway.
I found a new pleasure in simplicity, in letting things be simple and easy so I've been just doodling a lot, being playful with colorful shapes and lines not forcing myself to add too many details and not exhausting all of my energy drawing. It's been fun.
Actually, everything I've been doing in lately has been fun, so much fun. I don't know why but I've been feeling ridiculously happy for no special reason whatsoever and been enjoying all of my activities. last week I was at my mom's place alone and just felt do happy and awesome I wanted to capture the moment so I started taking selfies jsut for the fun of it.
I've also been enjoying taking long walks and looking at all of the beautiful blossoms and of course soaking in all the warm sunshine I can. It's been a wonderful moth so far and I have a feeling it will only get bettr and better!
A few weeks ago I had some time off and spent it making art, as usual. I made three small paintings over the period of three very productive days and I also recorded "the making of" process.
I remember images I haven’t created yet, recall paintings yet to be painted and feel nostalgic about photos I am yet to take.
In a world of images concept of time doesn’t exist, past, present and future are all blended into one and can be accessed by allowing yourself to experience them as raw emotions, sometimes “positive”: joy, bliss, ecstasy… and sometimes “negative”: sadness, longing, fear, etc.
Last year I listened to an interview with writer Colm Tóibín about “the important function of a novel’s first sentence as a catalyst for the rest of the book” and as it resonated with me I would think about it every now and then.
I’m not a writer but many times a sudden and spontaneous occurrence of a single image in my mind, an intense feeling rising in my body, a spark of a curious idea or even a single sentence would move me to create an entire art project.
Few weeks ago I realized I have fallen into a routine with my painting and needed to do something about it so I took a break to get some rest and then to try to make new, exciting paintings. While short rest period certainly helped to get an energy boost and find joy in painting again I couldn’t make a desired breakthrough.
Forcing creative breakthroughs is never a good idea so instead of working on art, one late afternoon I went for a long walk exploring the part of my neighborhood I don’t know well. I walked along a narrow street parallel to the train tracks. As the trains went by the sound of passing wagons put me in a strange mood, evoking nostalgia about my early childhood and also made me think of distant trains in de Chirico’s metaphysical paintings. I kept wondering could a symbol of a train be an universal symbol of nostalgia and longing (at least for modern humans). My thought process was interrupted by arriving to the end of the road and seeing a wide meadow with a view of open sky and mountains in the distance.
The sun was about to set and sky was colored with every tone of blue imaginable mixed with occasional strokes of deep oranges and pinks and stained with patches of dark grey clouds. The beautiful scene got me thinking: “What do we look at when we look at a gorgeous sunset or a sunrise?”
We are actually looking at colors, free of form, floating on an endless canvas of sky. And this experience of color free of form, this impression of boundless beauty moves us, elates us, inspires us, it often brings up very deep sense of awe and admiration for the the world that surrounds us and enhances our connection to it, connection to the nature and all that is.
This effect of directly experiencing colors free of form is apparent in the art world as well, for example in Rothko’s work. If you look at one of his classical “color field” canvases for long enough you might have a similar emotional experience as if you were gazing at the sky during a beautiful sunset.
As I was contemplating colors and Rothko and still in a strange nostalgic mood and enjoying a fascinating sunset an unusual sentence entered my mind “I remember images I haven’t created yet.” and was followed by another thought: “I recall paintings yet to be painted and feel nostalgic about photos I am yet to take.”
What was that? I’m not sure but those simple sentences possessed me and I could feel their potential, the potential of starting a brand new art project. I could, for a split second, indeed remember images and photographs I haven’t taken yet but I will in near future and could feel their energy and mood.
If you asked me to describe those images in detail, I couldn’t, but I can still feel them and can sense they will somehow deal with nostalgia and longing and exploration of colors, perhaps colors free of form.
So, this spring that’s the direction I want to take, live with this somewhat absurd idea of remembering the images that I am yet to create and building another series of pictures around it. Let’s see what happens next.
There is this game I've been playing with myself: often I'll make a painting inspired by someone, a person in my life, someone close to me I know well or someone I haven't figured out yet but I'd like to get to know better. After I finish an image inspired by another person I go through my portfolio looking in which of the five ongoing series of paintings the picture could fit into. But that's not the "game" part of the process.
The thing is, for me to better understand and categorize my own work I made a connection between the series of paintings and astrology. You see, when you're an intuitive painter and your art revolves around emotions, inner worlds and process of self discovery you gotta do extra little something to help you navigate those inner worlds and not get drowned in pure emotion. Since I've been very much into astrology (for over twenty years now, time flies) I've linked my art series with planetary aspects, for example I call The House of Indefinable Pleasures my Venus/Neptune series (I have that particular aspect in my birth chart so it makes sense to me). Deep sea/Deep Space is another one of Neptuinan series (in that case I think of more about Neptune in aspect with Sun) and Uncharted Territory is my Uranian series etc.
So, when I intuitively make a painting inspired by someone else and go about to see where the image fits an astrologer in me wants to see which "planetary energies" the object of my inspiration corresponds the most, like: "Wow, a painting about this guy fits into my Plutonian series (Enter the Underworld), what does that mean?"
Others don't have to know anything about astrology to understand my work, I am totally ok with people interpreting my work any way they want and I almost never go telling others I made a painting about them either, it's just a little fun game I play with myself, merging art and astrology and creating a weird system for myself. I guess, since both art and astrology have been such huge interests of mine it was bound to happen :) It's been so personally fulfilling to work this way I've been constantly thinking how to connect my art and interest in astrology in deeper way. I have no idea how to go about it yet, but I'm sure it will reveal itself to me.
On an unrelated note here is my latest painting, it's called Cauldron and it's about cooking up some new ideas.
Few weeks ago, on a lazy Sunday morning, still curled up in my bed I wrote in my journal: "As I wake up I peel away my night skin made of enigmatic dreams, unfulfilled desires and longings..."
Almost every morning I fill pages of my notebook with whatever comes to mind, stream of consciousnesses style so no surprise much of my writing sounds nonsensical and I don't ever analyze or rarely even go back to it but this sentence stuck with me and in days to come I couldn't stop thinking about my "night skin" and meaning of it.
As I was going through my archives I stumbled upon an old painting called Nocturnal bloom, a dark blue and purple texture I was always very fond of. Even though it's from 2015 I can still recall exactly how it was made: I woke up feeling super restless and still in my PJs I started working on it without having a clear idea of what I was doing, in an almost trance like state. I don't usually finish my paintings in one day but I just couldn't stop working on this one. At one point I spilled a bottle of purple ink all over myself but that didn't prevent me from continuing to work on the painting. I made it in about 6 hours time which is super fast for me but somehow it worked, it made sense to me in all of its abstract, dark glory.
Looking at this old painting now and with its "nocturnal" title in mind I thought to myself I must have made it while still having my "night skin" on since I could feel an echo of "enigmatic dreams and unfulfilled longings" coming through it.
It made me realize that I made most of my best or favorite work from the same point of view, or better said while being in the same mode of operating, from the same, particular space: dark (but not in a sense of negative or destructive), enigmatic, mysterious, untamed, filled with desire and nocturnal in nature. In other words I make my best work while having my "night skin" on.
While pondering that I took some long exposure self portraits and other photos as well.
One of the most recent paintings I did that remind me of Nocturnal bloom is Metaphors of love and it's the last painting I also recorded myself making. I really want to shoot more work-in-progress videos but can't bring myself to do it, it's very hard for me to both paint and record the process, multitasking just ruins my flow unless I somehow manage to convince myself that recording is just as part of creative process as painting itself. In that case I approach painting as an act of performance captured on camera but since I'm not fond of performing I don't succeed in puling it off very often.
Currently I've been slowly but surely working on expanding The house of indefinable pleasures series and this little piece called Beloved is the latest addition to it. After years of predominately creating images in portrait orientation I decided to rotate my images which might not seem like an important thing to do but even such small change made me more inspired. I've been also doodling a lot just for practice and fun, drawing eyes or little stars.
Speaking of stars, I was very happy when I finally painted "a star of my own". Few months ago while finishing my mega project I was also struggling with finishing the series Enter the underworld. The series begins with an image of an eclipse and I knew the final image should somehow relate to it but I just had no idea what would it be. Eclipse was made on 21.03 2015. (during an actual eclipse) and it took me almost 3 years working on the series to come up with A star of your own painting that made me finally feel like the whole series is done.
I also felt I needed to make another painting that somehow relates to another image from 2015, White flame so when I made A vein of gold I knew the series was complete and it brought me a sense of relif and joy :)
I've been still making paintings inspired by music on the blog I actually update regularly (unlike this one oooops) and you can go there if you like to see those images or just scroll down to see some of my personal favorites inspired by song recommendations.